Olga Peretyatko

Official website

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Recital
Feb 10
(Bilbao)
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Violetta in Verdi's
La Traviata
Feb 16
Mariinsky Theater (St. Petersburg)
More
Feb 10
(Bilbao)
Recital
Feb 16
Mariinsky Theater (St. Petersburg)
Violetta in Verdi's
La Traviata
Rossini! tour
Jan 7
Rossini! tour

Olga is promoting her new CD Rossini! in a serie of recitals in Baden-Baden (January, 8), Wienna (January, 9) and Paris (January, 11).

Shanghai New Year's Concert
Dec 27
Shanghai New Year's Concert

Olga Peretyatko joined Daniele Gatti and Shanghai Symphony Orchestra to perform at  the 2016 Shanghai New Year's Concert Verdi's opera pieces including E strano! e strano! from La traviata and Caro nome from Rigoletto among others.

 Olga Peretyatko's debut at the Teatro Real as Gilda
Nov 25
Olga Peretyatko's debut at the Teatro Real as Gilda

Olga Peretyatko's debuted at the Teatro Real (Madrid) on November 30 with Leo Nucci as Rigoletto.

Olga returns to the MET in her signature role
Oct 19
Olga returns to the MET in her signature role

Olga Peretyatko returns to the Metropolitan Opera for the leading role of Gilda in Verdi's Rigoletto, October 20 – November 19. Pablo Heras-Casado will lead the orchestra in Michael Mayer's electrifying production of the opera, which is set in a 1960's Las Vegas casino.

Kennedy Center debut
Oct 1
Kennedy Center debut

On October 1–3, Olga Peretyatko makes her Kennedy Center debut in Washington, D.C., performing Strauss' Four Last Songs with the National Symphony Orchestra under the baton of Donald Runnicles. 

New album: Rossini!
Conductor:  Alberto Zedda 
Orchestra:  Bologna Teatro Comunale Orchestra

Contents

Il viaggio a Reims: Partir, oh ciel!
Il viaggio a Reims: Оmbra amena
Matilde di Shabran: Ami alfine
Tancredi: Non che il morir
Semiramide: Bel raggio lusinghier
Il barbiere di Siviglia: Una voce poco fa
Il turco in Italia: I vostri cenci vi mando

iTunes

The soprano Olga Peretyatko offered a master class in refinement, clarity and expression. Her cool, silky timbre and chiseled phrasing can sound aloof in recordings, but her performance here felt alive with subtle emotional shadings.

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